Romanian Shorts IV
Strigoi (Strigoi, dir. Márton Nagy, România)
Magicianul (The Magician, dir. Bogdan Mureșanu, România)
Vali (dir. Claudiu Mitcu, România)
Nebunul (The Madman, dir. Igor Cobileanski, România)
Strigoi (Strigoi, dir. Márton Nagy, România)
Magicianul (The Magician, dir. Bogdan Mureșanu, România)
Vali (dir. Claudiu Mitcu, România)
Nebunul (The Madman, dir. Igor Cobileanski, România)
Artificial Intelligence fuels our dreams and nightmares. But while tech giants promise the advent of a new humanity, behind the scenes millions of workers around the world prepare the data that will feed Big Tech’s voracious algorithms, at the cost of their mental and emotional health...
Ingrid is a hired killer with a special power: she can use the darkness to enter a parallel world and reappear somewhere else in the real world. This allows her to get into the homes of her victims and get out again without leaving any trace.
Tot ce rămâne (All That Remains, dir. Andrei Redinciuc, România)
Jackpot (Jackpot, dir. Vlad Popa, Vasile Todinca, România)
Ajutoare (Aid, dir. Valentin Rareș Fogoroș, România)
Fracti (dir. Lavinia Petrache, România)
Albocalmin (dir. Florin Șerban, România)
Aurora, the daughter of a religious leader, travels with her husband Joonas to celebrate their wedding anniversary with her parents and the congregation.
Despre imposibilitatea unui omagiu (On the Impossibility of an Homage, dir. Xandra Popescu, România)
Alișveriș (Alisveris, dir. Vasile Todinca, România)
Zi de sărbătoare (Celebration Day, dir. Octavian Șaramet, România)
Grandpa Is Sleeping (dir. Matei Branea, România)
In a grim, claustrophobic apartment owned by a rich elderly woman, the inhabitants desperately try to relate to each other as they go about their bleak lives revealing their darkest secrets, fears, obsessions and hostilities.
Fursecuri și lapte (Milk and Cookies, dir. Andrei Tache-Codreanu, România)
Anchor (dir. Vilmos Peter, România)
Dragostea e în aer (Love Is in the Air, dir. Claudiu Mitcu, România)
Marinică, băiatul meu (Marinică, My Boy, dir. Mihnea Toma, România)
It’s been years since Akın has been in and out of the hospital. He’s relentless, angry, and shell-shocked from being stuck in the system. Since his discharge, he’s well aware that his old life is long gone.