Mugaritz. No Bread. No Dessert.
Every year, the team at the Mugaritz works behind closed doors to design a vocationally different gastronomic proposal each new season.
Every year, the team at the Mugaritz works behind closed doors to design a vocationally different gastronomic proposal each new season.
Years after leaving the small town behind, Joel returns to move his mother Monika to a home for the elderly struggling with dementia. However, Monika’s health takes a turn for the worse soon after her arrival.
When Ditte Jensen retires from the Danish Secret Service, she moves into an apartment block in Reykjavik where should live her life in anonymity. But Ditte can not stop being how she is: when she sees her neighbors’ problems she is compelled to help, whether they want her help or not.
Ada, a pregnant American journalist of Polish descent, receives a mysterious package – an autobiographical book about childhood trauma, authored by her friend, Roksana. Ada, on her last journalistic adventure before maternity leave, joins Roksana in Poland to recount the gripping story.
In 19th-century Estonia, werewolves and spirits roam free, and Jesus co-exists with kratts, the farmers’ mythological helpers made of tools and bones.
Late 1980s, at the Polish Coast. The old communist order is in decline, but a new order is yet to be established. Ela is just entering adulthood - already knowing she will not fit into any of these worlds.
Cristina, a 35-year-old secretary living in an alienating and hostile Bucharest, is trying to understand what it means being a bills-paying, ready-to-settle, social-ladder-climbing adult while still desperately wanting to be a good child for the single mom that raised her.
Oscar is stuck with a crappy medical contract and is still hooked on his ex. Ana, without a partner or a job, feels lost and plans to move away. But on 1 January 2016, they meet and fleeing loses its meaning.
16-year-old Mari, raised without a mother by a drunkard father, is put in an orphanage which she immediately, though unsuccessfully, tries to flee from. The sensitive Mari finds it hard to adapt to the coarse manners and brutal games amongst the children.
Beyond the river lies a world where suffering, poverty, and violence define everyday life. The film doesn’t explain or judge - it listens. With no external narration, the community tells its own story - with pain, with humor, with dignity.