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Late 1980s, at the Polish Coast. The old communist order is in decline, but a new order is yet to be established. Ela is just entering adulthood - already knowing she will not fit into any of these worlds.
Cristina, a 35-year-old secretary living in an alienating and hostile Bucharest, is trying to understand what it means being a bills-paying, ready-to-settle, social-ladder-climbing adult while still desperately wanting to be a good child for the single mom that raised her.
Oscar is stuck with a crappy medical contract and is still hooked on his ex. Ana, without a partner or a job, feels lost and plans to move away. But on 1 January 2016, they meet and fleeing loses its meaning.
16-year-old Mari, raised without a mother by a drunkard father, is put in an orphanage which she immediately, though unsuccessfully, tries to flee from. The sensitive Mari finds it hard to adapt to the coarse manners and brutal games amongst the children.
Beyond the river lies a world where suffering, poverty, and violence define everyday life. The film doesn’t explain or judge - it listens. With no external narration, the community tells its own story - with pain, with humor, with dignity.