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In a remote village in the Talysh montains between Iran and Azerbaijan, Samid, a TV repairman, dusts off his old Soviet film projector. He dreams of bringing his village together in front of the silver screen once more.
A group of relatives and friends walk behind a hearse, accompanying the recently deceased
Leni Riefenstahl is considered one of the most controversial women of the 20th century as an artist and a Nazi propagandist. Her films Triumph of the Will and Olympia stand for perfectly staged body worship and the celebration of the superior and victorious.