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Martial law, which was imposed in Poland on 13 December 1981, targeted the Solidarity movement, but it had other faces, too. On the basis of exclusively archival footage, the film questions the mythicised image of Polish society as a victim of the system...
Leni Riefenstahl is considered one of the most controversial women of the 20th century as an artist and a Nazi propagandist. Her films Triumph of the Will and Olympia stand for perfectly staged body worship and the celebration of the superior and victorious.
Late 1980s, at the Polish Coast. The old communist order is in decline, but a new order is yet to be established. Ela is just entering adulthood - already knowing she will not fit into any of these worlds.
It’s been years since Akın has been in and out of the hospital. He’s relentless, angry, and shell-shocked from being stuck in the system. Since his discharge, he’s well aware that his old life is long gone.